Yodogoro Sawamura II as Kawatsura Hougan and Zenji Bando as Onino Sadobo(Free Shipping)

60513403

Yodogoro Sawamura II as Kawatsura Hougan and Zenji Bando as Onino Sadobo(Free Shipping)  (60513403)

List Price
$120.00
Retail Price
$120.00
Stock Status : In Stock
Yodogoro Sawamura II as Kawatsura Hougan and Zenji Bando as Onino Sadobo
This portrait depicts two characters appearing in “Yoshitsune Senbonzakura”, the final kyogen in the second play performed at the Kawarasaki-za Theater in May 1794 (Kansei 6). This portrait is one of the two half-body standing-figure portraits drawn during the first period of Sharaku’s life as an artist. Kawatsura Hougan, on the right, is the person who hides Minamoto Yoshitsune; Onino Sadobo, on the left, is a villain targeting Yoshitsune, following Yokawa no Kakuhan. Sharaku contrasts both good and bad. As he illustrates in his other two-figure portraits, he liked to contrast two figures: Yodogoro opens his mouth but Zenji closes his, Yodogoro makes a fist but Zenji opens his hand, Yodogoro has long hair but Zenji is bald. Sharaku adds plenty of variation into the screen. There are other characters in the play, such as Shizukagozen, Sato Tadanobu, and Yokawano Kakuhan: Sharaku could have illustrated any of these characters with Kawatsura Hougan, but he didn’t. He set the object from his point of view, different to the traditional way. This is because that Sharaku believed that he could best express his art through depicting both Yodogoro and Zenji. This is what made Sharaku different from other artists and represents his unseen unique artistic ability.

Yodogoro Sawamura II was the second highest-ranking actor of villains. Zenji Bando was not a highly-ranked actor, as mentioned in the description of “Kiyotaro Iwai as Fujinami, a wife of Washizaka Sanai and Zenji Bando as Kozasa, a wife of Washizuka Kandayu”.

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Shopping guide

Detailed information about returns is here.

Products similar to that at the time of the Edo period

We deliver the hand made ukiyoe woodblock prints the use the same process as the people in Edo period enjoyed.


It is worthy to see the original ukiyoe produced in Edo period in the museum; however, the works people who lived in the period enjoyed were definitely the prints with many vivid colors pressed.

The reprint edition has distinctive woodblock print texture that matured skilled craft workers in the modern time produced and excellent and rich colors.

The quality has been proven since we started marketing the products with no unsatisfactory returns and claims, and having many returning customers.



Handmade by Same technique and materials in Edo priod

Using persistent materials that are identical to those of Edo period
A genuine woodblock print, that masters who inherited the techniques from Edo period to now, will be made by one

“Carving” is cutting the woodblock with dexterous technique. This process starts with the procedure deciding how many blocks will be necessary to use after the masters observe the painter’s draft“Omohan” is a black and white outline drawing on the woodblock.

“Irohan”, that is a sample woodprint of each color, expresses rich variety and features of colors. More than eight woodblocks are used for one finished product.

The print blocks are made of firm old mountain cherry. They are carved with various tools, such as small carving knives and chisels dexterously.

“Rubbing” is a coloring process adding lives to the woodblocks that woodcarvers finished their miracle works. The reprinted set uses natural pigment the same as Edo period and Echizen Special Japanese paper that Japanese human treasure produced.

First, masters rub the major black line and then repeat painting several colors onto the blocks by one with swerveless control. “Airbrushing” is a technique using dexterous pressure change for rubbing adjusting the amount of pigments and water.

“Mock rubbing” is a technique pressing strongly to create the texture without using any pigments. The vivid woodprint will be completed using various techniques.

The unique texture that the modern printing technique does not have is a distinctive fullness of traditional woodblock printing. The paper that reflects woodcarvers and paper rubbing masters’ technique, we are using Echizen Special Japanese paper , Master Iwano Ichibei, a Japanese human treasure , makes by one. The Japanese paper made of kozo does not have any mixture, and it has flexibility that enables to strive to the harsh procedures to pressing and printing many times. The paper infuses the pigments’ color, has unique softness and warm texture. Please enjoy the precious works produced by only matured craft workers who received traditional techniques of Edo period.

Exclusively rare item

 
Exclusively rare to see complete handcrafted set series (sale quantity is limited)

Hand made ukiyoe woodblock prints have excellent texture that the modern printings do not have. The secret is the products are made by hand by one using the traditional techniques passed down from Edo period. Recently the skilled craft workers are decreasing for ageing. Also, it cannot be mass-produced for the blocks’ worn out.

Guide to product size

Our medium size for Ukiyo-e woodblock print reproduction is printed on the following dimensions: about 12.8 -13.4 inches X 8.7-9.4 inches on Echizen hand crafted paper (Japanese hand-crafted paper) excluding some products.
The size of the special frame is 17.3 inches width X 14.6 inches height.
Click here for details about size.

Introducing the video about how the item is produced

Expertise in woodblock printed “Ukiyo-e Japan” presents to the world how the product is carved and rubbed by masters are here on video.
If you click the image on left, the movie starts. Please have a look and enjoy.

Guide to special frame


We prepare and offer our customers special framing of your purchases. The product in the wooden frame with a similar process like Japanese lacquer finish is a good complement to the Ukiyo-e color tone. The contrast gives a nice color combination for both Japanese and western style rooms.

The acrylic finish protects the work from UV.

The acrylic finish is durable and hard to break. The UV cut protection is also done to protect the product from the UV rays.
Therefore, it is very suitable for overseas shipping which requires several days to deliver. Please choose according to your purpose.

You will be able to display the product immediately after the delivery.

Framed Ukiyo-e can be displayed anywhere you like.
The Ukiyo-e gift recipient will also be able to enjoy displaying the framed product right after unfolding the gift package.